Playing a corpse on an autopsy table is widely considered one of the toughest background roles in the entertainment industry. Actors must remain completely motionless, hold their breath, and avoid blinking while lying nearly naked on a cold steel slab under hot, anxiety-inducing studio lights. Actors use several techniques and clever tricks to pull off these chilling scenes. First, they learn to breath imperceptibly by using their diaphragms rather than their chests to avoid detection by the camera. Many actors hyperventilate slightly before "action!" is called in order to lower their heart rate and reduce the urge to breathe. They also listen closely to the dialogue to time their exhales when the main actors are speaking or moving around them. Directors often rely on strategic framing so the camera only focuses on the head. If full-body shots are necessary, they can place a stiff frame or board over the actor’s torso, allowing them to breathe freely underneath hidden layers of prosthetic makeup. To simulate dead eyes, actors focus on a stationary object and sometimes use eye drops just before the take to prevent the natural urge to blink. For scenes involving extensive trauma, severe decomposition, or long close-up exposures (such as the traditional autopsy "Y-incision"), productions frequently use hyper-realistic silicone dummies or prosthetic molds instead of a human actor. So, the next time you watch an episode of NCIS and see a corpse laying on the medical examiner's table, you can imagine that the actor is counting the seconds until they can breathe freely.
How Actors Play Corpses on Television
Playing a corpse on an autopsy table is widely considered one of the toughest background roles in the entertainment industry. Actors must remain completely motionless, hold their breath, and avoid blinking while lying nearly naked on a cold steel slab under hot, anxiety-inducing studio lights. Actors use several techniques and clever tricks to pull off these chilling scenes. First, they learn to breath imperceptibly by using their diaphragms rather than their chests to avoid detection by the camera. Many actors hyperventilate slightly before "action!" is called in order to lower their heart rate and reduce the urge to breathe. They also listen closely to the dialogue to time their exhales when the main actors are speaking or moving around them. Directors often rely on strategic framing so the camera only focuses on the head. If full-body shots are necessary, they can place a stiff frame or board over the actor’s torso, allowing them to breathe freely underneath hidden layers of prosthetic makeup. To simulate dead eyes, actors focus on a stationary object and sometimes use eye drops just before the take to prevent the natural urge to blink. For scenes involving extensive trauma, severe decomposition, or long close-up exposures (such as the traditional autopsy "Y-incision"), productions frequently use hyper-realistic silicone dummies or prosthetic molds instead of a human actor. So, the next time you watch an episode of NCIS and see a corpse laying on the medical examiner's table, you can imagine that the actor is counting the seconds until they can breathe freely.
The Risk of Raising Your Own Chickens
At some point between grocery sticker shock on egg prices and the sudden urge to make sourdough from scratch, backyard chickens became less like something only farmers would get excited about and more like a smart suburban life hack for the masses. A few chickens in the yard, some fresh eggs in the morning — it’s a tiny taste of homesteading without fully becoming a butter churner on the weekends. Plenty of people see the appeal, but as efficient and cost-effective as a little backyard flock might seem, it’s not quite as simple as collecting eggs and tossing out feed. There’s a rising risk that could put you and your chickens in danger: avian flu and salmonella. The avian flu is a respiratory virus carried by migratory birds and can spread to chickens through direct or indirect contact. In chickens, it’s usually fatal, and it can affect both backyard and commercial flocks. Salmonella, on the other hand, is a bacteria that can be carried by chickens. It may be present on their bodies, in their droppings, and on their eggs. Birds can look perfectly healthy and still spread it. For most backyard chicken owners, the chance of getting avian flu is still low. While human infections are rare, they can happen after close exposure to infected birds or contaminated surfaces. That means the people most likely to be at risk are those who handle sick birds, clean coops, work around infected poultry or have prolonged contact with contaminated environments. Humans can pick up salmonella after touching birds, eggs, feeders, water bowls, coop surfaces or anything else in the area where chickens and ducks live and roam. If they then touch their mouth, prepare food, or handle children’s items without washing their hands, the bacteria can spread. For humans, salmonella can cause diarrhea, fever, stomach cramps, nausea, vomiting and headache. Most healthy adults recover, but severe infections can require hospitalization. The good news? You don’t have to swear off backyard eggs if you already have a flock. The bigger risk is usually handling birds, eggs or contaminated surfaces without good hygiene.
Clark Gable’s 1935 Custom Duesenberg Could Fetch $8 Million at Auction
In the 1930s, Clark Gable dominated the silver screen, while Dusenbergs did the same on the roadways. Both the actor and the automaker’s models presented a powerful and dashing visage that defined the glamor of the age, and Hollywood’s glitterati were enamored with each. It’s no surprise then that Gable owned a Dusenberg, and a droptop to boot. The unique 1935 Dusenberg Model JN Convertible Coupe will be offered through Sotheby’s August 13-15 as part of Monterey Car Week. From the more aggressively raked windshield and lower top to the body color, radiator shell, rear fender skirts, dual rear-mounted spares, and wheel covers, every detail reflects Gable’s own eye for style and design. Along with being included in numerous publicity shoots, and even given a cameo in the 1938 movie Merrily We Live, the roadster also played a supporting role in Gable’s real-life tale of love and loss with actress Carole Lombard. Tragically, Lombard was killed in a plane crash in 1942, roughly three years after they wed, and Gable couldn’t bear to keep the automotive reminder of better times. It wound its way through several owners before becoming part of Sam and Emily Mann’s collection in 2005. The privilege of continuing its legacy is expected to command a price between $5.75 million and $8 million.
Tourists Are Trapping Italian Villagers in Their Homes
With little villages snuggled into coves along the Mediterranean shore and mountains in the background towering over them, the Amalfi Coast is a place people dream of…….until now. Mobs of sneaker-wearing, camera-toting tourists and cruise ship passengers are forcing outraged locals to barricade themselves in their homes. Postcard towns along the coast have become more of a stampede nightmare than a sweet refuge. Positano is one of the small villages that has been inundated — everyone touching, shoulder to shoulder, half the people going up and half coming down a narrow passageway. For city officials, the summer tourist boom is a welcome sight because of the money they drop while there on vacation. Meanwhile, residents say tourists are destroying the luxurious image of the Amalfi Coast, pointing to the influx of cruise ships as the reason for the uncontrollable crowds. “We have reached our limit,” a resident wrote on Facebook. “As citizens, we have to lock ourselves inside our homes because we still haven’t learned how to fly.” However, the current Amalfi mayor, Daniele Milano, maintains that local authorities can't block cruise ships or bar passengers from making landfall. Still, he recognizes that more can and should be done to protect the region from congestion and to guard both locals and visitors from the adverse effects of excessive tourism.
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